How to Look Beautiful in Long Black Dress and Little Black Dress
One can never go wrong and easily dodge the fashion police by wearing an elegant and chic LBD for almost all evening occasions. There has been a huge transition in the style and structure of the LBD since its inception. Nonetheless, it holds the same undying charm, versatility, and affordability.
Black was essentially considered to be the color of mourning. A woman in mourning had to follow strict rules of wearing nothing but black dresses for about a year. During the time of the great depression and War a lot of women wore black and also became the bread winner of families by starting to work.
Hence a simple black dress was the power dressing of choice for most women. The magazine referred to it as Coco's 'Ford', after the success of the Ford's affordable Model T car. The dress was short, had simple cuts, a drop waist and was accessorized with pearls.
The mass appeal of the dress made it accessible among women of all social classes. Black was no more associated with mourning and by the end of it became a standard and the epitome for elegance and mystery and dominated the women's high fashion scene.
The witnessed the era of jazz and hence the LBD had loose designs, with flappers and sequences. In the more conservative because of the war. Hence women invested in a classic and accessorized it differently to change the look.
Hollywood found increasing interest and love with in the By this time, the little black dress transformed into a bold and edgy symbol good enough to add the extra glamour on the big screen. Christian Dior's designs ruled the fashion scene but in style during this decade.
The collection consisted of fuller skirt shapes and nipped waists, giving a break to the much conservative look wore by women in the war time. The addressed an audience which was young and had a broad outlook by shortening the length to the limit.
So it may come as a surprise in “Little Black Dress,” an intriguing exhibition in Paris. In every moment my desire was to establish an invisible dialogue or narrative between dresses which represent difference.
Created at the Savannah College of Art and Design in Georgia, the exhibition pits a framed Karl Lagerfeld example of the classic black Chanel dress, as worn by the winner, how women thought of the little black dress.
The man behind the artistic organization of textures, shapes and nuances of shades, all shown against sanguine. In the final room of the show, the models sit elegantly on couches in front of a gilded mirror, with just a single cascade.
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